In Forbes, Don Norman asserts the importance of "Tools That Make Us Smarter." He writes,
The power of the unaided mind is greatly exaggerated. It is "things"
that make us smart, the cognitive artifacts that allow human beings to
overcome the limitations of human memory and conscious reasoning.And
of all the artifacts that have aided cognition, the most important is
the development of writing, or more properly, of notational systems:
number systems, writing, calendars, notational systems for mathematics,
engineering, music and dance.
Don’t expect to find much disagreement here. This assertion is key to my book: consciousness emerges with symbolic behavior, with speech and gesture (obviously formal writing systems come later). To understand cognition, the composition of thought, let alone the composition of text/media, one must think of the mind-in-context, cognition distributed through symbolic-informational networks.
To a degree it’s a notion accepted in our discipline, at least in some quarters. Cyborg theory is generally known. From Haraway to Hayles and beyond the notion of thought as shaped by technology is well recognized. Perhaps this goes further, or at least further than most folks tend to take it: here consciousness is technological.
However, even given this acceptance, which in itself is not widespread, the implications for writing and the teaching of writing that lie within this view of consciousness remain largely unexamined. Anyway, reading Norman’s brief piece brought me back to this core issue of mine. In teaching writing, we teach the means by which civilization and modern consciousness unfolds; as such writing lies outside civilization and thought, as Blanchot and others show us.
What results from approaching writing in this way? What do students gain from engaging in such an investigation? Does it lead to the more "practical" abilities that we tend to make our priority?
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