In a “collegial” conversation, a question is raised:

“Do our majors really need a course in new media? Many of the students who took the course said they didn’t think they would ever use what they learned.”

A provocative question … it provokes me at least. Obviously the question is insulting, as when you would insinuate that any of your colleague’s areas is unnecessary. (E.g. do you really need a PhD to teach writing? Heard that one too, but haven’t we all.) I suppose one must “consider the source,” as they say. However, it is a rhetorical opportunity for investigating some of the premises that permit such a question to be offered.

One response is to look at the question of need. Do our students need to be able to translate a line from Chaucer into modern English? To identify themes in Donne’s sonnets? To understand Keats’ negative capability? To explain the difference between naturalism and realism? To explicate the references to the Bhagavad-Gita in Eliot?

When are they ever going to use that information?

The answer to those questions is the belief that a disciplinary education in English creates a general ability and understanding of literacy, as well as a “humanistic” knowledge of ethical, moral, social, and political issues.

On the other hand, new media is “just a technical skill,” just so much clacking away on a keyboard. Much like writing instruction is “just practical training,” window-washing as one of my colleagues once termed it, a chore.

What our larger discipline cannot see and probably will never understand is that its traditional education cannot and does not produce this illusory “general literacy” and that its faith in this illusion is part of the ideological work it performs for the state, along with its “humanistic” indoctrination.

Quite clearly new media is not free of ideology. However, no one is making claims for the universality of new media literacy. To the contrary, the whole point is to ground investigations into literacy practices in material and technological contexts. In its critique of our faith in literacy, new media opens questions about humanistic values and knowledge. From its perspective beyond the limits of print, it offers a new opportunity to investigate critically our past literacy practices.

The illusion of the universality of print literacy is quite visible in the new media classroom. English majors and graduate students struggle to comprehend new media composition. Indeed English professors struggle to understand these texts: “if I can read ______ (fill-in some notoriously difficult author of your choice), how come I can’t understand Web Designing for Dummies?” Of course, if you think about it, there are plenty of texts and literacy practices an education in English does not prepare one to read. However, such texts and practices are not part of the discipline…right?

Well… it’s an interesting point. If there’s a body of knowledge that is basically alien to nearly everyone in an English department, that confounds the literacy skills English provides, and that seems counter to the traditional values of the discipline, then it is probably not part of the discipline.

Wait a second… I forget. Are we talking about new media, critical theory, or professional writing?

Think about it from the perspective of students preparing to be high school English teachers (the majority of our students). They might ask:

What does understanding Web 2.0 practices have to do with teaching English?
What does building a web page have to do with teaching English?
What does Derrida’s deconstruction of Plato have to do with teaching English?
What does learning to write for multiple audiences with different needs have to do with teaching English?
What does a Marxist critique of the culture industry have to do with teaching English?

And it’s difficult to answer these questions when you think that understanding English means being able to identify a line from Shakespeare by play, scene, and character (which is the type of thing that defined English where I was an undergraduate).

Of course our students are going to have difficulty seeing the value of such an education. Of course they will when 90% of the faculty teaching in their major can’t see the value of it either.

In short, such a question, if posed, must be posed in a context and from a perspective that makes seeing the value of new media almost impossible. Some might believe they have some missionary task to explain and teach such things. Obviously this is our job with students, but with colleagues, I don’t think so. The question is rhetorical, unanswerable as it is framed, a statement of conviction.

It’s not worth answering.

Technorati Tags: , ,

4 responses to “New media literacy and English education”

  1. I proposed a course in new media to complement our course Computers & Writing, and encountered massive resistance from the communication folks, who see it as their turf. As we met, the chair of the department who objected suggested to me, in increasingly snide terms, that I would be better off sticking to teaching basic writing. This is a different kind of pressure than what you write about here—but it seems to me no less problematic for those of us who think new media needs to be investigated using the techniques of English studies.

    Like

  2. We faced a similar problem with the Communications department a few years back. They wanted to discuss our intentions regarding our new media writing courses, as well as our Writing Creative Non-Fiction course. (Here journalism is in their department and they regarded this course as teaching literary journalism; it took us a couple years to come to an agreement over that one.)
    In any case, they were satisfied by my reassurance that we were focusing on teaching students how to “write” for new media. This was and is still true. Communications focuses on video and does some Flash stuff. The Art department here teaches new media design. I touch on Photoshop and sometimes play around with video, but no one would mistake it for a professional education in these areas. As I explain it, writers need to have a least a taste for these other media if they are to understand the task of writing in relation to it.
    The end of the story is that a year later, Communications hired a new media specialist, who is now their chair. He and I get along very well and teach in a learning community with a professor from the Art department.
    While our departments are probably still capable of bumping heads, I think those of us who teach new media, regardless of department, realize that on a small campus like ours we are better of supporting one another.

    Like

  3. My question is, if you feel the question is not a real question and not worth getting evangelistic over, AND the people doing the “asking” have the power to turn down your course proposal, what do you suggest doing?

    Like

  4. That’s a difficult situation Jon. I guess in part the answer to that question is before I came to Cortland I had a tenure-track job somewhere else where I didn’t see an opportunity to do the work I wanted. So I found a different job. That’s one answer.
    Essentially what has happened here is that we have a separate Professional Writing major in which I teach courses in new media. Those courses are not in any way part of the main English major; none of the courses in writing are. It was a matter of reading the situation. While in part I have hoped that we would find a way to work together, what has worked has been creating a separate curriculum over which we have independent control. Then it’s just a matter of getting courses to fly. We’ve always said our best strategy is to be successful with enrollment.

    Like

Leave a reply to Alex Cancel reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Trending